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	<title>New Forms Festival 2007</title>
	<link>http://2007.newformsfestival.com</link>
	<description>Just another WordPress weblog</description>
	<pubDate>Sat, 29 Mar 2008 22:23:27 +0000</pubDate>
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		<title>test</title>
		<link>http://2007.newformsfestival.com/test</link>
		<comments>http://2007.newformsfestival.com/test#comments</comments>
		<pubDate>Tue, 09 Oct 2007 21:59:34 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
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		<description><![CDATA[test

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			<content:encoded><![CDATA[<p>test
</p>
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		</item>
		<item>
		<title>Yun Lam Li</title>
		<link>http://2007.newformsfestival.com/</link>
		<comments>http://2007.newformsfestival.com/#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Artists</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=683</guid>
		<description><![CDATA[
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			<content:encoded><![CDATA[
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			<wfw:commentRss>http://2007.newformsfestival.com/feed/</wfw:commentRss>
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		<item>
		<title>subMedia.tv</title>
		<link>http://2007.newformsfestival.com/</link>
		<comments>http://2007.newformsfestival.com/#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Artists</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=684</guid>
		<description><![CDATA[
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			<content:encoded><![CDATA[
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			<wfw:commentRss>http://2007.newformsfestival.com/feed/</wfw:commentRss>
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		<item>
		<title>Scott Kildall</title>
		<link>http://2007.newformsfestival.com/scott-kildall</link>
		<comments>http://2007.newformsfestival.com/scott-kildall#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Artists</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=685</guid>
		<description><![CDATA[
Scott Kildall is an artist who works with technology-infused media and themes of memory and anticipation. His work is cross-disciplinary and includes video, prints, performance, installation, sculpture and audio pieces. He has a Bachelor of Arts in Political Philosophy from Brown University. In 2006, he received a Master of Fine Arts degree at the School [...]]]></description>
			<content:encoded><![CDATA[<p><img id="image689" src="http://2007.newformsfestival.com/wp-content/uploads/2007/09/handwork_scott.thumbnail.jpg" alt="Scott Kildall" /></p>
<p>Scott Kildall is an artist who works with technology-infused media and themes of memory and anticipation. His work is cross-disciplinary and includes video, prints, performance, installation, sculpture and audio pieces. He has a Bachelor of Arts in Political Philosophy from Brown University. In 2006, he received a Master of Fine Arts degree at the School of the Art Institute of Chicago through the Art &#038; Technology Studies Department. He has exhibited in galleries in Chicago, Miami, Houston, San Francisco, Seattle, Toronto, Helsinki, Ireland, Spain and Romania. He did a conceptual art residency called &#8220;The Future of Idea Art&#8221; at The Banff Centre for the Arts in the fall of 2006. He followed this with a six-month fellowship at the Kala Art Institute focusing on remembrance in simulated worlds. He also works with Second Front — the first performance art group in Second Life. He currently resides in San Francisco.
</p>
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		<item>
		<title>Future Memories</title>
		<link>http://2007.newformsfestival.com/future-memories</link>
		<comments>http://2007.newformsfestival.com/future-memories#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=686</guid>
		<description><![CDATA[
Scott Kildall, USA, 9:30
These video montages consist of the “in-between” shots from iconic Hollywood films: a flock of birds flying in the twilight, a hand picking up a glass of whiskey, rain falling against garbage cans in an alley, trees whizzing by as seen from a moving car and so on. These interstitial moments are [...]]]></description>
			<content:encoded><![CDATA[<p><img id="image688" src="http://2007.newformsfestival.com/wp-content/uploads/2007/09/future_memories.thumbnail.jpg" alt="Future Memories" /></p>
<p>Scott Kildall, USA, 9:30<br />
These video montages consist of the “in-between” shots from iconic Hollywood films: a flock of birds flying in the twilight, a hand picking up a glass of whiskey, rain falling against garbage cans in an alley, trees whizzing by as seen from a moving car and so on. These interstitial moments are without faces or trademark shots so that recognition of a particular film is nearly impossible. I have carefully excised this imagery from about sixty films and tightly stitched them together to form readable narratives. I have further de-contextualized the shots by converting them to silvery black-and-white tones. Cinematic memory flows from shot to shot, spanning across space and time. I am hoping to displace the viewer into a familiar yet unfamiliar psychological arena.
</p>
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		<item>
		<title>Molotov #2</title>
		<link>http://2007.newformsfestival.com/molotov-2</link>
		<comments>http://2007.newformsfestival.com/molotov-2#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=687</guid>
		<description><![CDATA[&#8220;Molotov #2&#8243; is the second issue of subMedia&#8217;s (submedia.tv) lo-fi DVD/Zine &#8220;Molotov&#8221;.  The focus of the second issue is &#8220;intellectual property in the battle of creative innovation&#8221;.
Intellectual Property Violations by:
Mini Destroy
&#8220;Thank Your Precious Universe&#8221;
subMedia
&#8220;USE&#8221;
Keir Smith
&#8220;Oh So Criminal&#8221;
subMedia
&#8220;George Bush Don&#8217;t Like Black People&#8221;
Aaron Valdez
&#8220;Jam the Tram&#8221;
Aaron Valdez
&#8220;So&#8221;
Music by
Art on Vanguard
Bits stolen from
Universal Pictures
20th Century Fox
Warner [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Molotov #2&#8243; is the second issue of subMedia&#8217;s (<a href="http://submedia.tv" title="http://submedia.tv" target="_blank">submedia.tv</a>) lo-fi DVD/Zine &#8220;Molotov&#8221;.  The focus of the second issue is &#8220;intellectual property in the battle of creative innovation&#8221;.</p>
<p>Intellectual Property Violations by:</p>
<p>Mini Destroy<br />
&#8220;Thank Your Precious Universe&#8221;</p>
<p>subMedia<br />
&#8220;USE&#8221;</p>
<p>Keir Smith<br />
&#8220;Oh So Criminal&#8221;</p>
<p>subMedia<br />
&#8220;George Bush Don&#8217;t Like Black People&#8221;</p>
<p>Aaron Valdez<br />
&#8220;Jam the Tram&#8221;</p>
<p>Aaron Valdez<br />
&#8220;So&#8221;</p>
<p>Music by<br />
Art on Vanguard</p>
<p>Bits stolen from<br />
Universal Pictures<br />
20th Century Fox<br />
Warner Brothers<br />
Monkey Warfare<br />
Koyaanisqatsi<br />
Steal this Film<br />
Negativ Land<br />
BBC News<br />
The FBI<br />
EBN</p>
<p>Anti-Copyright 2007<br />
NO RIGHTS RESERVED</p>
]]></content:encoded>
			<wfw:commentRss>http://2007.newformsfestival.com/molotov-2/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Chaos</title>
		<link>http://2007.newformsfestival.com/chaos</link>
		<comments>http://2007.newformsfestival.com/chaos#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=681</guid>
		<description><![CDATA[16mm Film, 1993

]]></description>
			<content:encoded><![CDATA[<p>16mm Film, 1993
</p>
]]></content:encoded>
			<wfw:commentRss>http://2007.newformsfestival.com/chaos/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Trichotomy of Shannon</title>
		<link>http://2007.newformsfestival.com/trichotomy-of-shannon</link>
		<comments>http://2007.newformsfestival.com/trichotomy-of-shannon#comments</comments>
		<pubDate>Tue, 30 Nov 1999 00:00:00 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/?p=682</guid>
		<description><![CDATA[Yun Lam Li

]]></description>
			<content:encoded><![CDATA[<p>Yun Lam Li
</p>
]]></content:encoded>
			<wfw:commentRss>http://2007.newformsfestival.com/trichotomy-of-shannon/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Ben Nevile remixes Ryan Larkin</title>
		<link>http://2007.newformsfestival.com/ben-nevile</link>
		<comments>http://2007.newformsfestival.com/ben-nevile#comments</comments>
		<pubDate>Tue, 04 Sep 2007 22:26:08 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/ben-nevile</guid>
		<description><![CDATA[Ben Nevile will be remixing the films of Ryan Larkin, an animation pioneer and Oscar nominee, who created some of the most influential animated films of his time.

]]></description>
			<content:encoded><![CDATA[<p>Ben Nevile will be remixing the films of Ryan Larkin, an animation pioneer and Oscar nominee, who created some of the most influential animated films of his time.
</p>
]]></content:encoded>
			<wfw:commentRss>http://2007.newformsfestival.com/ben-nevile/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Very</title>
		<link>http://2007.newformsfestival.com/very</link>
		<comments>http://2007.newformsfestival.com/very#comments</comments>
		<pubDate>Tue, 04 Sep 2007 22:12:47 +0000</pubDate>
		<dc:creator>editor</dc:creator>
		
	<category>Works</category>
		<guid isPermaLink="false">http://2007.newformsfestival.com/very</guid>
		<description><![CDATA[For this project I will work with the films &#8216;Very Nice, Very Nice&#8217; (1961) and &#8216;21-87&#8242; (1963) by Arthur Lipsett, sampling small image and sound segments, and through repetition and layering with other elements, build something both minimal and massive.  I will use analog processors that simultaneously manipulate image and sound, as well as [...]]]></description>
			<content:encoded><![CDATA[<p>For this project I will work with the films &#8216;Very Nice, Very Nice&#8217; (1961) and &#8216;21-87&#8242; (1963) by Arthur Lipsett, sampling small image and sound segments, and through repetition and layering with other elements, build something both minimal and massive.  I will use analog processors that simultaneously manipulate image and sound, as well as hand built oscillators and feedback generators.  I aim to create an experience that is overwhelming, visceral, and sublime, paying homage to a brilliant Canadian experimental film maker, whose work is rich in image/sound dynamics, and ablaze with the contradictory terrifying fantastic.</p>
<p>-Erin Sexton
</p>
]]></content:encoded>
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